Hue Shift is just plain fun for subtle color shifts to the massively dramatic. Dodge & Burn is a standard darkroom technique used to artfully and selectively refine the light and shadows of a photo. And, the incredible look of a matte finish is super-inspiring. The ability to add artificial light to any image completely changes the game. Our engineers were not interested in resting on their laurels, so the R&D guys dug deep to invent the new Sun Rays, Matte, Dodge & Burn and Hue Shift filters among others. And don’t forget, when you buy Luminar 2018, YOU OWN IT. Our pre-order began this morning with a low price of $59 and a terrific pack of bonuses including a 1-year SmugMug Power account for your best online galleries ever. Today, we open the door to the future of photo editing with Luminar 2018. Winner of the Best Imaging Software for 2017 from TIPA, and Best Software Plug-in from the Lucie Technical Awards. Easy to use, creative, plays nicely with Adobe Photoshop & Lightroom, delivers high quality, includes an extensive (and adaptable) toolset and much more. For Sony Alpha shooters I have a new guide with tips on how to get the best from processing your A6000 Images in Lightroom.Earlier this summer, we released a public beta of Luminar for Windows to give the PC world a look at what their Mac friends already knew: Luminar was something special for photographers. I also have a guides for processing X-Trans files in Capture One and Iridient Developer. If you're a Fuji X-Trans shooter and Lightroom user, check out my guide to post processing X-Trans files in Lightroom. You can also show support by buying something from my from my Digital Download Store where I have Lightroom Presets, and e-books available for download. If you want to get regular updates, and notices of occasional special offers, and discounts from my store, then please sign up for the Newsletter. You should also check out my other Photography Project: The Streets of Dublin. I also have a YouTube channel that you might like. If you like this post then you can see more of my work on Instagram, Twitter and Facebook. As well as helping keep this blog going with even more useful news, tips, tutorials and more, members also get special Patreon only perks. If you like what I do here and find the information useful, then you can help by supporting me on Patreon. You could of course just use the standard tools and then start on an extra layer, but that’s another step, and I wanted to come up with the simplest way possible of doing this. The second is creatively adjusting the file. The first phase is correcting for any raw conversion or camera issues.
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I know that’s kind of an academic argument, but I personally prefer to separate my editing into to phases. The problem with those methods is that they add adjustments and you no longer have a baseline as such. You could add some curves and tweak those, and save them as a preset, or you could just use the develop controls to add some contrast and vibrancy.
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There are a number of ways you could go about fixing this. This comes from RAW files not having a proper profile in the software, and while it has improved in recent years, it’s still a ways off from the default results that you would get in the likes of Lightroom or Photoshop. One of the issues that I have when using RAW files in Luminar is that the colours are often a little flat and the contrast is a bit washed out.